Posts Tagged ‘Sunset Lit Sedona’

Another Route to Explore

Thursday, June 1st, 2017

This past month my route of explorations took a more literal turn.  I was seeking out not new civilizations, but new landscapes, different qualities of light, and a variety of textural features.

Besides my usual goal of taking a bevy of photographs for future reference, my intention this time was to keep a travel journal of quick sketches to record some of the interesting physical features that caught my eye.  I knew that being on the guided tour we had lined up would preclude my claiming long stretches of time in which to paint at leisure.  But it would also challenge me to achieve accuracy and key visual impressions in a minimized time-frame—always a good exercise for an artist to undertake.

Would I also be able to capture, or at least suggest, some of my emotional impressions as well?  How well would the journal recall the story of our experiences?  I could only make the attempt and ascertain the answers after the fact.  So rather than taking a lot of equipment, I packed up a minimal art kit that could be stowed in a small shoulder bag or pieces of which could be tucked into pockets for opportune moments.  …

Despite all my good intentions, I discovered very quickly that it was unrealistic to expect to accomplish much more than very quick sketches, and even less realistic to take time to actually paint productively.

170505w  Sunset Lit Sedona

170505w Sunset Lit Sedona

I did manage to get a few sketches done while we were on our own, such as the sunset-lit Sedona mesa, above.  Once we joined the time-intensive Road Scholar tour, however, I found extremely few opportunities even for the briefest of sketches.  I tried some very quick pencil sketches during our hikes but then had to run to catch up with the rest of the herd. Nor did working on the tour bus work very well, as my hand bounced too much, and I feared dumping either water or paint on my traveling companions.  Ah well, I did give it the old college try.

Ultimately, I focused instead on shooting literally thousands of reference photos and maintaining a written journal, which included (among other things) color notes and conceptual ideas relating to the area and the culture of its inhabitants.

Despite the deterrents to painting on location, I was still able to closely observe the terrain, landforms, and their indicative color relationships, understand better their development and subsequent erosion patterns, and couple that with information about local flora and fauna and with an enhanced appreciation of the people who have not only struggled and survived but manage to thrive in that difficult environment. I trust that this added insight will benefit my work in the long run, leading it toward a greater level of maturity and expression.