Plein Air Priorities

I had hoped, in touring some of the western National Parks this past May, to do some plein air painting along the way.  However, as I had found in the past, guided sightseeing tours do not provide many opportunities for full-fledged painting setups, and by the time we got settled into our hotel rooms at the end of each day’s excursions, I was too tired to head out on my own.  (Yes, I know that many would say that if I were a true die-hard, I would venture out to capture the sunset or some iconic view of the locale.  More power to those who can!  But at my age, I’ve learned to be realistic about my physical stamina and need for adequate rest.)

“Grand Tetons” by Charlotte Mertz (4″x6″ watercolor, #180510w)

Although I was able to do a very small, quick watercolor in the Tetons while the rest of the group watched an informative film, most of my output was in the form of even quicker pencil sketches, for which minimal setup and time were required.  Sometimes I could snatch a moment during a lunch break.  At other times, while waiting for the bus to get underway, I would sketch the scenery directly from my coach seat.

"Jackson Hillside" by Charlotte Mertz  (#180509p)

“Jackson Hillside” by Charlotte Mertz
(#180509p)

Would I discourage others from taking sightseeing tours?  Definitely not!  And here’s why.  I was able to accrue innumerable reference photos during our travels, saw sights I probably would not have seen, and learned information I probably would have missed if I had been traveling on my own.

And the short sketching stints encouraged me to look for the essence, such as the overall silhouette shapes, intertwining textures, and interplay of values within this stand of firs.

"Yellowstone Firs" by Charlotte Mertz  (#180512p)

“Yellowstone Firs” by Charlotte Mertz
(#180512p)

However, I would recommend, for anyone who wants to spend considerable time painting, that you establish your own schedule and priorities.  Arrange travel time around your painting time, rather than trying to squeeze the painting into a pre-scheduled tour itinerary.  If you want a tour, look for someone local who can fit a bit of sightseeing into your painting schedule, preferably one who can provide guidance to promising painting sites, as well as offer insights into regional lore.

 

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