Archive for September, 2018

Seeking safe haven

Saturday, September 15th, 2018

What do you do when it’s neither practical nor safe to paint en plein air?  On a lake, for instance, lightning will be drawn to anything that stands above the water’s surface … such as sailboat masts or even people in low-lying kayaks or canoes.  You don’t want to be on the water during a thunderstorm!

It seems we’ve gotten more than our fair share of rain and heat this summer, wherever we’ve traveled.  So I haven’t been able to get outside to paint quite as much as I’d been hoping to. But even when I have to work from photos, I find that the desire to paint outdoors attunes my eyes to notice (and remember!) features that I might not be so conscious of otherwise.

I find myself paying attention to such things as hard and soft edges created by changing density in the atmosphere, and color variations that indicate changes in plane.  And the very process of figuring out how to most effectively approach a painting to recreate these edge effects is always a valuable exercise. Even the selection of colors, choice of how to blend or overlay hues to achieve appropriate values and saturation levels, deciding how and where to reserve whites, and how to suggest motion are valuable studies, whether accomplished en plein air or in a makeshift studio space.

"Scudding for Home" by Charlotte Mertz  (5"x10" watercolor, #180902w)

“Scudding for Home” by Charlotte Mertz
(5″x10″ watercolor, #180902w)

For “Scudding for Home,” above, (5”x10” watercolor, #180902) I drew information from several related photographs, as well as the memory of the experience of being in a nearby boat (with a camera but without my painting gear) … and my own desperation to beat the storm to shore.

So no, it wasn’t painted en plein air.  But to my way of thinking, the veracity of a painting is in the feeling as much as in the literal depiction of the scene.  So I’m happy with the resulting painting, which remains faithful to both the site and the circumstances, even though I couldn’t execute it on location.

An air plein trip-up to remember

Saturday, September 1st, 2018

One logistical issue I hadn’t considered when taking a plein air trip was brought to my attention quite suddenly this summer.  Although I had gone light, with only a small shoulder bag painting kit and a folding stool in lieu of an easel, on the return trip I decided to tuck my art gear and the small watercolor paintings I’d completed into my suitcase and keep my backpack available for comfort items I’d need while flying back home.  After a six-hour flight delay (plus the two extra hours I’d allowed before flight time) and missing my original connecting flight, I managed to get standby space on a later connecting flight home.  But my suitcase didn’t.

Fortunately, I had both more art supplies and clothing at my destination.  But I didn’t have the new paintings I wanted to blog about.  Nor had I yet made a photographic record of all of them.  The suitcase did not appear on any of the next several flights, so I began to worry that they might have been “permanently lost” or routed back to my other address rather than to the location where I would be for the next several weeks … and where I would need everything else in the bag as well as the art!

I should have learned my lesson the only other time I’d been separated from my luggage, which, that time, had held my wedding dress.  Apparently a panicky bride carries more weight than an artist at the end of a long day of multiple airline snafus.  The wedding gown had been delivered by taxi the following day.  This time, the suitcase with my paintings, art supplies, and clothing did eventually arrive, but not nearly as promptly.

Lesson learned:  Find a way to keep the critical stuff with you!