To help my students recognize the importance and effectiveness of a good value range in their work, I had them begin a project, as I wrote about last time, with a monochromatic under layer to establish their values. The second stage of the project was to introduce supplemental color.
I limited my students to the use of only two additional colors, of their choice. I opted to use brown madder and raw sienna over my own indigo base in “Stones in Shell Dish” (#110307).
I began with a light wash of raw sienna across the entire dish, then glazed more localized areas with one or more of my three colors to achieve the effect I wanted. The more I worked, the more I continued to increase the value range that even the initial monochrome study had not reached. I cannot tell you how many glazes I applied, because I didn’t keep track. Layer after layer after layer went on. I worked on the piece for several weeks, both in class and out of class, until I was finally satisfied with it.
My students weren’t the only ones who learned from that lesson. But that’s part of why I enjoy teaching. There’s always something more to learn. And one of the best ways to learn is by doing the assignments right along with my students.