Viewers may wonder how a painter can create a color-rich scene without using a palette overflowing with paint choices. The key to successfully using a limited palette is in choosing a few primary-based paints that work well together and that blend to create the supplemental secondary and tertiary hues needed.
In “Wave to Me Frondly” (#110108), I used only four paints–three primaries and a secondary color: new gamboge, indigo blue, brown madder, and sap green. (Despite it’s name, “brown madder” actually is considered a red.) All four of these colors have a warm cast, which helps to convey the warmth of the sun-lit scene.
I began with a background wash of a mixture of new gamboge and brown madder, varying the proportions as I washed them across the paper so the background wouldn’t be all the same flat blend. Most of the fronds are painted with a blend of brown madder and sap green, with some indigo blue added in the darkest areas. A pale wash of pure indigo tints the highlights on the fronds, and an extra bit of new gamboge brightens the sun-kissed spots on the leaves. I dropped in some extra areas of brown madder at the end of the painting process to help balance the nearly-finished painting. But no additional paint colors were needed.
If you like this discussion of paints, you might also be interested in reading “A Palette to My Taste” (December 1, 2010),“Staying Out of the Mud” (March 1, 2011), and “Selecting Paints” (to appear later this year).